洄游,或城市的循环想象

CITIES, CIRCLING IN TIME

 

在迷蒙中/某些山形坚持完整的轮廓/生长又生长的枝桠/接受不断的涂抹/雷声隐约再响/蝉鸣还在那里/在最猛烈的雷霆和闪电中歌唱/蝉鸣是粗笔浓墨间的青绿点拂/等待中肌肤上一阵清凉/因为雨滴溅到身上

——也斯,《雷声与蝉鸣》,1978年

你我飞驰在城市化的高速公路上,个体被抽象的发展裹挟进前行的车流,身后只留下理所当然的一往无前;远处海岸线上不断搏击、逆流而上的鲑鱼群,则前赴后继地回到出生地产卵、死亡,世代践行生命不息的循环之道。城市(短暂的)历史,以及这途中我们所认知的空间、观念与行为遗产,究竟只是远古的回声、消费的符号、异化的景观,还是每个人视网膜上不可磨灭的印迹?我们是否还有机会拥抱循环的动机和想象,与生命万物一样在累积延续中更新?

CABLE首个展览将邀请来自中国、荷兰与日本的艺术家、建筑师与研究机构,共同探讨历史在当下的定义,呈现再生的困境与希冀,编织未来的可能图景。通过四组不同媒介形式的作品,展览试图在微观层面上模糊城市研究的学科界限,邀请观众以开放的视野看待城市发展变迁之路——或许发展终究也非一条线性的单行道,而是慎思时的季风、回忆降临时波光粼粼的水面,亦是蓬勃新陈代谢中的物质总和。

We are galloping on the highway of urbanization, engulfed by the abstract idea of development, aiming relentlessly at the next checkpoint. On the distant coastline, Pacific salmons are constantly migrating back to their birthplace for spawning and eventual death, driven by the nature of life. Is the (short) history of the city, as well as the heritage of space, concept, and behavior as we perceived, only echoes of ancient times, symbols of consumption, alienated landscapes, or indelible marks on every person's retina? Do we still have the opportunity to embrace the cumulative cycles like all living species?

CABLE's first exhibition invites artists, architects and research institutions from China, the Netherlands and Japan to jointly explore the definition of history in the present, outline the difficulties and hopes of regeneration, and weave possible prospects for the future. Through four groups of works in different media forms, the exhibition attempts to blur the disciplinary boundaries of urban research at a micro level, inviting audience to an open perspective -- perhaps development is not a linear one-way street after all. It could be the seasonal monsoon when thoughts rise in mind, or the sparkling water surface when memories come, also the sum of substances in a metabolizing world.

 

展览作品

WORKS

 
 

© “为什么”工厂 The Why Factory

1.

“为什么”工厂,《今日已旧:重新想象过去的未来》,2021

印刷,数字图像,9.7 × 2.1 米

The Why Factory, The New Old: Rethinking the future of the past, 2021

Print, digital image, 9.7 × 2.1 m

@CABLE

2.

郝景芳,《魔方叙事》,2021

印刷

Jingfang Hao, Turning Texts, 2021

Print

 
 
 

© 神奇建筑研究室 Wonder Architects

3.

神奇建筑研究室,《“历史文化街区”模拟器:前门大街》,2021

影像装置,3 × 2.35 × 1.03 米

Wonder Architects, Peep Show for Qianmen Street, 2021

Video Installation, 3 × 2.35 × 1.03 m

图片由艺术家惠允 / Courtesy of the Artist

4.

南宣孝,《1972-中银胶囊大厦》,2010-2018

摄影,50.8 × 63.5 厘米 每张

Noritaka Minami, 1972-Nakagin Capsule Tower, 2010-2018

Photography, 50.8 × 63.5 cm each 

图片由艺术家及迈克尔·布莱克伍德制作公司惠允 / Courtesy of the Artist and Michael Blackwood Productions

5.

山崎梨真,《中银胶囊大厦:濒临毁灭的日本新陈代谢主义地标》,2010

纪录片,53分钟

Rima Yamazaki, Nakagin Capsule Tower: Japanese Metabolist Landmark on the Edge of Destruction, 2010

Documentary, 53 mins

@CABLE

6.

黑川纪章,粟津洁,《黑川纪章作品集:胶囊、新陈代谢、空间构架、变形 》,1970

一柳慧,《生活空间的音乐》,1969

出版物及书籍内页复制,音频, 24.8 × 35.2厘米 每张

Kisho Kurokawa, Kiyoshi Awazu, The Work of Kisho Kurokawa: Capsule, Metabolism, Spaceframe, Metamorphose, 1970

Toshi Ichiyanagi, Music for Living Space, 1969

Inside Pages Duplicate, audio in vinyl, 24.8 × 35.2 cm each

图片由艺术家惠允 / Courtesy of the Artist

7.

邱岸雄,《新山海经III》,2013-2017

水墨动画电影,27分钟

Anxiong Qiu, New Classic of Mountains and Sea III, 2013-2017

Ink Painting Animation, 27 mins

 
 

参展人简介

Participants Bios

 

“为什么”工厂

“为什么”工厂是由荷兰建筑师威尼·马斯所领导的研究机构与全球性智库,由荷兰代尔夫特理工大学建筑所与MVRDV建筑事务所联合成立。“为什么”工厂通过专注于未来城市的可视化模型,探索城市发展的可能性,他们在既定世界中进行研究,并产生超越原本的未来情景,他们扮演制造未来世界场景的机器,提出、构建及展望设想的社会和城市,他们的项目曾在不同城市展出,包括SpazioFMG画廊(米兰,2017);荷兰设计周(2017);建筑画廊(慕尼黑,2017);马德里建筑师协会(马德里,2016);汉堡博物馆(汉堡,2013);Total美术馆(首尔,2012);明日博物馆(台北,2011);Imaginarium(柏林,2010);Foodprint Manifestation(海牙,2009);香港设计营商周(2009)等。

The Why Factory

The Why Factory (T?F) is a global think-tank and research institute led by professor Winy Maas, founding partner of MVRDV. It explores possibilities for the development of our cities by focusing on the production of models and visualisations for cities of the future. The Why Factory investigates within the given world and produces future scenarios beyond it; from universal to specific and global to local. It proposes, constructs and envisions hypothetical societies and cities; from science to fiction and vice versa. They thus act as a future world scenario making machinery. The work of The Why Factory has been exhibited at various events, such as the SpazioFMG, Milan, 2017; Dutch Design Week, 2017; Architekturgalerie, Munich, 2017; COAM, Madrid, 2016; Hamburg Museum, Hamburg, 2013; The Total Museum of Contemporary Art, Seoul, 2012; Museum of Tomorrow, Taipei, 2011; Imaginarium, Berlin, 2010; Foodprint Manifestation, Den Haag, 2009; Business of Design Week, Hong Kong, 2009.

郝景芳

小说作者、研究员、创业者。2006年毕业于清华大学物理系,2013年清华大学经管学院博士毕业。2013年至2018年任中国发展研究基金会研究一部副主任,2018年哈佛大学肯尼迪政府学院访问学者。2016年凭短篇小说《北京折叠》获第74届雨果奖。2017年创立儿童通识教育品牌“童行书院”,为孩子打开视野、提升思维、培养创造力,探索可持续的公益教育。创办影视工作室“芳景科幻”,致力于可持续的科幻文学和影视作品创作,打造具有世界水准的科幻IP。

Hao Jingfang

Novel Author, Researcher, Founder of Tong Xing School. She graduated from Tsinghua University Department of Physics in 2006, and got her doctor's degree from Tsinghua University School of Economics and Management in 2013. She worked as Deputy Director of Research Department I in China Development Research Foundation from 2013 to 2018, and became a Visiting Scholar at Harvard Kennedy School in 2018. She won the 74th Hugo Award for Best Short Story for her fiction "Folding Beijing." In 2017, she founded "Tong Xing School" to broaden children's horizon, promote children's thinking, foster children's creativity, and to explore sustainable public welfare education. She also founded Fangjing Sci-Fi Studio, creating new Sci-Fi literature and video products.

 

神奇建筑研究室

由朱起鹏、王冲、王斯迪于2017年创立于北京。神奇建筑研究室相信神奇建筑的存在,旨在找到并创造这些房子,用更有趣、更聪明的办法解决问题,他们相信普遍联系和地理决定论,热衷博物与考古,珍爱自然并对艺术充满好奇,是以建筑设计为兴趣的,激进的保守主义者。

 Wonder Architects

Founded in Beijing in 2017 by Zhu Qipeng, Wang Chong and Wang Sidi. Believing in the existence of wonder architecture, the Wonder Architects aims to find and create these houses, to solve problems in a more interesting and intelligent way. They believe in general connections and geographical determinism, passionate about museums and archaeology, cherish nature and be curious about art. They are radical conservatives with the awareness in architectural design.

南宣孝

南宣孝是一位驻芝加哥的艺术家,他于加州大学伯克利分校获得艺术实践学士学位,加州大学欧文分校获得工作室艺术硕士学位。他是波洛克·克拉斯纳基金会、格雷厄姆艺术高级研究基金会、伊利诺伊州艺术委员会、桑托基金会和文化创新中心的资助金获得者。2015年,他的专著《1972——中银胶囊大厦》由德国独立出版社凯尔出版社出版,该书获得了德国法兰克福建筑博物馆颁发的2015年建筑图书奖。他曾在FLXST当代艺术画廊、Kana Kawanishi画廊、旧金山博物馆、南加州大学罗斯基艺术设计学院、加州大学洛杉矶分校建筑与城市设计系、加州大学默塞德分校艺术画廊和格里芬摄影博物馆举办个展。他还参加了光圈基金会、萨默塞特府、巴塞尔摄影展、拉斯谢内加斯项目中心、New Wight画廊和卡尼街艺术团举办的群展。 南宣孝的作品被旧金山现代艺术博物馆、加州大学洛杉矶分校建筑与城市设计学院、芝加哥当代摄影博物馆和伍德斯托克摄影中心收藏,他目前任芝加哥洛约拉大学的摄影系副教授。

 Noritaka Minami

Noritaka Minami is an artist based in Chicago.  He received a M.F.A. in Studio Art from University of California, Irvine and a B.A. in Art Practice from University of California, Berkeley.  He is a recipient of grants from the Pollock-Krasner Foundation, Graham Foundation for Advanced Studies in the Fine Arts, Illinois Arts Council Agency, Santo Foundation, and Center for Cultural Innovation.  In 2015, Kehrer Verlag published his monograph titled 1972 – Nakagin Capsule Tower, which received the 2015 Architectural Book Award from the Deutsches Architekturmuseum in Frankfurt, Germany.  Solo exhibitions of his works have been held at FLXST Contemporary, Kana Kawanishi Gallery, SFO Museum, USC Roski School of Art and Design, UCLA Department of Architecture and Urban Design, UC Merced Art Gallery, and Griffin Museum of Photography.  He has also participated in group exhibitions at the Aperture Foundation, Somerset House, Photo Basel, Las Cienegas Projects, New Wight Gallery, and Kearney Street Workshop.  Minami’s works are held in the collections of the San Francisco Museum of Modern Art, UCLA Architecture and Urban Design, Museum of Contemporary Photography Chicago, and Center for Photography at Woodstock.  He is currently an Associate Professor of Photography at Loyola University Chicago.  

 

山崎梨真

1982年出生于东京,生活和工作于纽约布鲁克林。山崎梨真是一名电影导演,她的实践专注记录、研究和反思艺术、建筑和城市方面的电影表达。由她创作的电影在世界各地的电影节与不同场所展出,包括法国真实电影节(巴黎)、选集电影档案馆(纽约)、美国国家美术馆(华盛顿)、蒙特利尔国际艺术主题电影节(加拿大)和加拿大建筑中心(蒙特利尔)等。

 Rima Yamazaki

Born 1982 in Tokyo, lives and works in Brooklyn, Rima Yamazaki is a filmmaker whose practice is an exploration of cinematic expression in documenting, studying and reflecting on art, architecture, and cities. Her films have been shown at film festivals and venues around the world, including Cinéma du réel International Documentary Film Festival (Paris, France), Anthology Film Archives (New York, NY), the National Gallery of Art (Washington, DC), the International Festival of Films on Art (Montreal, Canada), and the Canadian Centre for Architecture (Montreal, Canada), among others.

 

邱岸雄

1972年生于四川成都,1994年毕业于四川美术学院,2003年毕业于德国卡塞尔大学艺术学院,2007年起至今执教于华东师范大学设计学院。其作品涉及绘画、动画、录像、装置等不同媒介,结合中国传统人文精神和新媒体形式,展示他对历史文化的思考和对现代文明的批判,形成纷繁复杂的异世图景。邱岸雄的作品为海内外众多机构收藏,包括纽约大都会博物馆、纽约现代艺术博物馆(MoMA)、纽约布鲁克林博物馆、哥本哈根Arken现代艺术博物馆、堪萨斯大学Spencer艺术博物馆、东京都现代美术馆、奥斯陆Astrup Fearnley博物馆、苏黎世艺术博物馆、悉尼白兔美术馆、香港M+博物馆、上海余德耀美术馆、上海当代艺术博物馆等。

 Qiu Anxiong

Born in 1972 in Chengdu, Sichuan, Qiu Anxiong graduated from Sichuan Academy of Fine Arts in 1994 and later studied at the University Kassel's College of Art in Germany. From 2004, he has been teaching at East China Normal University. His works involve different media such as painting, animation, video, and installation, combining traditional Chinese humanism and new media forms to show his thoughts on history and culture and his criticism of modern civilization, forming a complex picture of new world. Qiu's works are collected by institutions around the world, including the Metropolitan Museum of Art, New York, The Museum of Modern Art, New York, the Brooklyn Museum, New York, the ARKEN Museum of Moderne Kunst, Copenhagen, the Spencer Museum of Art, Kansas, the Museum of Contemporary Art Tokyo, the Astrup Fearnley Museet, Oslo, the Kunsthale Zurich, the White Rabbit Gallery, Sydney, M+ Museum, Hong Kong, Yuz Museum Shanghai, Power Station of Art, Shanghai, etc.

 

开放时间

2021年10月16日 - 12月30日

周二至周日:10:00 – 12:00 , 14:00 – 19:00(周一及公共节假日闭馆)

展览地址

深圳市南山区南头街道南头古城if工厂204

交通指南

地图搜索“CABLE”或“if工厂(idea factory)”; 公共交通 “南头①站”或“南山公安分局”站;地铁“桃园站”,出站后有1.4公里距离,建议骑共享单车前往;自驾请定位至“南头古城停车场”

Hours

October 16 - December 30, 2021

Tuesday to Sunday: 10:00 – 12:00, 14:00 - 19:00 (closed on Mondays and public holidays)

Venue 

204 Idea Factory, Nantou City, Nantou Street, Nanshan District, Shenzhen

Travel Guide

Search "CABLE" or "idea factory" in map apps. Public transport: "Nantou① Station" or "Nanshan Precinct" station, or "Taoyuan" subway station, with 1.4 km distance and biking recommended

 

主办:CABLE

展览工作团队

策展:何柳、刘雨欣、邱奕枳

空间设计:梓集

展务:刘雨欣、林梓瑜

视觉:罗嘉慧

制作:乐造展务、龙正堂

展册编辑团队

编辑、翻译及校对:刘雨欣、邱奕枳

平面:罗嘉慧

特别鸣谢下述个人和机构对展览的协助:

内容共建:钱源、刘磊、山崎亮、方立华、陈涤菲、唐克扬、加泰罗尼亚高等建筑研究所、MVRDV、迈克尔•布莱克伍德制作公司、芳景科幻,左龙

制作与场地:万科城市研究院、直径叙事、深圳万科南头项目组、深圳万通南头城管理运营有限公司

 

Organizer: CABLE

Exhibition Team

Curation: He Liu, Liu Yuxin, Qiu Yizhi

Interior Design: fabersociety

Exhibition Design: Liu Yuxin, Lin Ziyu

Visual Identity: Luo Jiahui

Production: LEZAO

Publication Team

Edit, Translation & Proofread:  Liu Yuxin, Qiu Yizhi

Layout: Luo Jiahui

Special thanks to the following individuals and institutions: 

Content Development: Alex Qian Yuan, Liu Lei, Yamazaki Ryo, Fang Lihua, Chen Difei, Tang Keyang, IAAC, MVRDV, Michael Blackwood Productions, Fangjing Scifi Studio, Zuo Long

Production and Venue: Urban Research Institute of China Vanke, Diameter Narrative Design, Nantou Project Team of Vanke, Shenzhen Wantong Nantou City Management and Operation Co., Ltd